Works / 2015
Radiance
for 12 voices and live electronics
Production
commissioned by the GAIDA festival (Vilnius). 1st performance: 28th of October, Vilnius St. Catherine Church, GAIDA festival, perf. Jauna Muzika choir, cond. Vaclovas Augustinas
Concept/composition: Justė JANULYTĖ Electronics - creation/performance: Michele TADINI/Antonello RAGGI
Concept
If the radiance of a thousand suns were to burst into the sky, that would be like the splendor of the Mighty One and I am become Death, the shatterer of worlds (from Bhagavad Gītā), – so was talking Julius Robert Oppenheimer, scientific director at Manhattan Project, after the first artificial nuclear explosion 'Trinity test' near Alamogordo, New Mexico, on 16th July 1945.
"Radiance" is a metaphoric reflection of the anatomic/philosophy, energetics/poetics of the nuclear explosion; intending to be a requiem for the victims of the first atomic bombing. The genetic code of the piece is a duality and ambiguity symbolized by the Bhagavad Gītā phrase and refers to the initial, purely scientific enthusiasm of the Manhattan Project in inventing the atomic bomb; and its apocalyptic consequences after dropping it on inhabited areas. The structure of the composition is an overlap of two antiphonic processes of radiation: two groups of high and low choir voices that initially "live" in a unison start radiating, splitting (fission), because of the strong attraction between opposites poles, their territories get closer, until, they completely merge (fusion). Therefore the explosion becomes inevitable. Justė Janulytė
Creation and production of the electronic part of Radiance involves several real-time processes of augmentation, de-humanization, and transfiguration of the sonic material, in line with the poetic frame set by Janulytė’s idea. The progressive accumulation, distortion, and polarization of different vocal registers takes the listener into a different flow of time where the natural logic of action-consequence is being destroyed, and therefore the catastrophe is always happening, or has not happened yet. In the end, in the little details that only a macroscopic stretch of time and sound can reveal, we can find seeds of beauty from which we can go on after the tragedy. Antonello Raggi
Duration
30'
Recording
https://soundcloud.com/juste-janulyte/radiance-for-choir-and-live-electronics-2015
Performances
perf. by Sequenza 9.3 vocal ensemble, cond. Catherine Simonpietri (Paris). Biennale di Venezia (IT)
Music of Changes festival, Klaipeda (LT)
for 12 voices and live electronics (WP). In collaboration with Michele Tadini/Antonello Raggi. St.Catherine Church, GAIDA festival (Vilnius, LT)
Press
Gianluigi Mattietti, Amadeus
Gianluigi Mattietti, Amadeus
"Esu garsinių fenomenų stebėtoja" (interview) PDF
Vita Gruodytė, Kultūros barai
Eglė Gudžinskaite, 7 meno dienos
„Jaunos muzikos“ koncertas Gaidoje: neskausmingas sprogimas muzikai bombarduojant senamiestį
Skaistė Gorobecaitė, ANTENA
GAIDA Festival: Finale and a quick look back at the highlights
Ben Lunn, Baltic Musical Gems
GAIDA Festival: Three Concerts in Two Days
Ben Lunn, Baltic Musical Gems
Šeštoji „Gaidos“ diena: daugiabalsės dermės ir įtrūkio tornadas
Tautvydas Bajarkevičius, Lietuvos rytas
J. Janulytės švytėjimas – užtemimas – nušvitimas (interview)
Audrius Musteikis, Lietuvos žinios